PAL SINGH ARIF, SANT (1873-1958), mystic and poet, was born on Maghar sudi 15, 1930 Bk/4 December 1873, the son of Gurdit Singh Sandhu and Sahib Kaur of the village of Paddhari, now in Amritsar district of the Punjab. He learnt to read and write Punjabi from the village granthi

NIHAL SINGH THAKUR (1808-1895), Sikh theologian and musician, was born at Amritsar on 7 Phagun 1864 Bk/17 February 1808 to Bhai Mahal Singh and Mata Basi. Bhai Mahal Singh lived in the village of Sayyid ki Sarai in Gujjarkhan tahsil of Rawalpindi district, now in Pakistan, and had come to

ASA, one of the thirty one ragas or musical measures into which compositions comprising the Sikh holy book, Guru Granth Sahib, except the Japu, are cast and in which they are meant to be recited and sung. This raga is important in the Sikh system of music, and is said

MAHALA, traditionally pronounced mahalla, appears in Sikh Scripture, the Guru Granth Sahib, as a special term to credit the authorship of the compositions of the Gurus recorded in it. Mahala here refers to the person of the Guru specified by a numeral following it which signifies his position in the

MANGA, BHAI, a musician by profession was among Guru Nanak`s leading disciples. He has been described by Bhai Gurdas, Varan, XI. 13, as a lover of gurbani or the Guru`s word.

CHAUNKI or Chauki, lit. quarter, a four footed wooden platform upon which sat the holy choir to recite the sacred hymns in a gurdwara or at a gathering of the devotees. The term chaunki also refers to a session of kirtan or hymn singing, the number of singers at such

PHUMMAN SINGH, BHAI, famous as a ragi or musician reciting Sikh hymns, was born in a Jatt Sikh family of Daudhar in present day Moga district of the Punjab in the sixties of the nineteenth century. He learnt to read Scripture and recite kirtan at the Dera or seminary established

DHADI, one who sings vars or ballads to the accompaniment of a musical instrument called dhad, a drumlet held in the palm of one hand and played with the fingers of the other. A concomitant of dhad is the sarangi, a stringed instrument. Dhadis, patronized by chiefs and princes, eulogized

PHUNHK, plural of phunha, a word derived from the Sanskrit punha meaning `again`, is the name of a poetic metre in which a particular term or phrase occurs repeatedly in each chhand or may be in each verse of a poem; in the Guru Granth Sahib it is the title

DHUNI, from Skt. dhvani meaning sound, echo, noise, voice, tone, tune, thunder, stands in Punjabi generally for sound and tune. In the Guru Granth Sahib, the term appears in the sense of tune at the head of 9 of the 22 vars (odes) under different ragas or musical measures. Directions