SAMUND SINGH, BHAI (1901-1972), a leading Sikh musicologist of the twentieth century, trained in music under leading maestros of the art, Sikhs as well as Muslims, was born on 3 March 1901, at the village of Mulla Hamza, in Montgomery district, now in Pakistan. He started his training so young

GHARU, pronounced ghar, is a term used in the titles of many of the hymns in the Guru Granth Sahib. The final "u" is only of grammatical significance indicating masculine gender and singular number. Gharu appears after the name of the rdga (musical measure) and the indication with regard

SATTA, also called Satta Dum because he was a du/n or miraslby birth, a rababior rebeckplayer to Guru Arjan, and co-composer, with Rai Balvand, of Ramkall ki Var, included in the Guru Granth Sahib in the Ramkali musical measure.

GURMAT SANGIT or sacred music of the Sikhs. The founder of the Sikh religion, Guru Nanak (1469-1539), composed his religious verse to settings of Indian ragas mostly from the classical tradition. Successive Gurus followed his example and considered divine worship through music the best means of attaining that state which

SHABAD (Sanskrit sabda, of obscure etymology) is generally rendered as sound, voice or tone. Another series of meanings includes word, utterance, speech. In distinctive Sikli usage shabad means a hymn or sacred work from the Guru Granth Sahib. In the theological sense, it stands for the `Word` revealed by

HIRA SINGH RAGI, BHAI (1879-1926), eminent exponent of Sikh devotional music, was born in 1879 at Faruka, in Shahpur district, now in Pakistan. His father`s name was Bhai Bhag Singh and mother`s Satbharai. Bhag Singh was well versed in classical music and played string instruments such as sdraizgi and

SUNDAR SINGH, RAGI (1892-1937), head musician at Sri Harimandar at Amritsar, was born at Amritsar in 1892, the son of Bahi Amar Singh Arora, himself a musician of considerable standing. Sundar Singh served his apprenticeship with Bhai Atra, a well known rababi (rebeckplayer), who was a disciple of Bhai Moti,

ASTPADI, from Sanskrit astapada, astapad or astapadf, is a poetic composition comprising ast or eight padas or stanzas. No specific rhyme scheme, measure or burden is prescribed for it, but all the eight stanzas must be in the same metre and measure. Lines in each stanza are generally rhymed.

JAVALA SINGH, BHAI SAHIB (1872-1952), a renowned exponent of the Sikh devotional music, was born in 1872 at the village of  Saidpur in Kapurthala district of the Punjab. His father, Bhai Deva Singh and grandfather, Parijab Singh were in their day celebrated rdgis or musicians who recited Sikh kirtan

VAR, a verse form in Punjabi popular in folklore as well as in refined poetry. In the old bardic tradition of the Punjab, var meant the poem itself with its typical theme as also the form in which it was cast. The earliest vars were ballads of battles and