NIHAL SINGH THAKUR (1808-1895), Sikh theologian and musician, was born at Amritsar on 7 Phagun 1864 Bk/17 February 1808 to Bhai Mahal Singh and Mata Basi. Bhai Mahal Singh lived in the village of Sayyid ki Sarai in Gujjarkhan tahsil of Rawalpindi district, now in Pakistan, and had come to

MAHALA, traditionally pronounced mahalla, appears in Sikh Scripture, the Guru Granth Sahib, as a special term to credit the authorship of the compositions of the Gurus recorded in it. Mahala here refers to the person of the Guru specified by a numeral following it which signifies his position in the

MANGA, BHAI, a musician by profession was among Guru Nanak`s leading disciples. He has been described by Bhai Gurdas, Varan, XI. 13, as a lover of gurbani or the Guru`s word.

AKAL BUNGA, lit. the abode of the Timeless One, is the building that houses the Akal Takht in the precincts of the Darbar Sahib at Amritsar. The term is also used sometimes synonymously with Akal Takht. Strictly speaking, while Akal Takht is the institution possessing and exercising

SAMMAN BURJ, also called Musamman Burj, an octagonal tower commanding a wide range of buildings within the Lahore Fort, was built by Emperor Akbar, who made the city his capital for some time. Within the Fort was situated the royal palace which was enlarged by Jahangir and,

SAROVAR, a tank, pool or lake, especially at a sacred place or by a holy shrine used for sacramental ablutions and other religious ceremonies. Sanskrit synonyms are sar, sarvar, tarag and vapl. Another word is puskar or puskarini which usually means a pond full of lotus

SIKH ARCHITECTURE, style and design of building conspicuously popular among the Sikhs, is owed primarily to their religious monuments. Their secular edifices such as fortresses, palaces, samadhs (mausoleums built over places of cremation), havelis (fortified houses), bungas (residential cum educational houses ), educational institutions, etc, are no different from the

GAJJA SINGH, MAHANT (c. 1850-1914), maestro of Sikh classical devotional music, was born in a Jatt Sikh family of Vandar, a village in Faridkot district of the Punjab. He had a sensitive ear for music from his early childhood. His father, a pious Sikh himself, apprenticed him for religious

SAMUND SINGH, BHAI (1901-1972), a leading Sikh musicologist of the twentieth century, trained in music under leading maestros of the art, Sikhs as well as Muslims, was born on 3 March 1901, at the village of Mulla Hamza, in Montgomery district, now in Pakistan. He started his training so young

PARTAP SINGH. GIANI (1855-1920), Sikh school-man and calligraphist, was born in 1855, the son of Bhai Bhag Singh Giani of Lahore. As a young boy, Partap Singh learnt Punjabi, Urdu and Sanskrit and studied Sikh Scriptures. In 1884, he accompanied Thakur Singh Sandhanvalia to England to read the Guru Granth

WALI QANDHARl (lit. Saint of Qandahar) was, according to a tradition popularized by Bhai Bala Janam Sakhi and Bhai Santokh Singh, Sri Gur Nanak Prakash, a Muslim recluse putting up on top of a hill near Hasan Abdal, now in Campbellpore (Attock) district of Pakistan Punjab. Accompanied by Bhai Mardana,

GHARU, pronounced ghar, is a term used in the titles of many of the hymns in the Guru Granth Sahib. The final "u" is only of grammatical significance indicating masculine gender and singular number. Gharu appears after the name of the rdga (musical measure) and the indication with regard