ANARKALI, the oldest Mughal tomb in Lahore, was built between 1605 and 1615 by Emperor Jahangir for his former favourite dancing girl Anarkali. The tomb was surrounded by extensive gardens enclosed within a high protective wall, and several buildings and palaces were erected in the gardens by Mughal princes and

HIRA SINGH RAGI, BHAI (1879-1926), eminent exponent of Sikh devotional music, was born in 1879 at Faruka, in Shahpur district, now in Pakistan. His father`s name was Bhai Bhag Singh and mother`s Satbharai. Bhag Singh was well versed in classical music and played string instruments such as sdraizgi and

SUNDAR SINGH, RAGI (1892-1937), head musician at Sri Harimandar at Amritsar, was born at Amritsar in 1892, the son of Bahi Amar Singh Arora, himself a musician of considerable standing. Sundar Singh served his apprenticeship with Bhai Atra, a well known rababi (rebeckplayer), who was a disciple of Bhai Moti,

BAZIGARS or acrobats, a counterpart of nats outside the Punjab, are a nomadic people travelling from one place to the other, using camels and donkeys as pack animals. Earlier they had been an occupational group performing bazi, i.e. acrobatic feats, in the form of various types of jumps and other

BAOLI or bavali is a masonry well with steps leading down to water level. This is perhaps the oldest type of well introduced when man had discovered the existence of subsoil water and also the means to reach it, but had not yet invented mechanical devices to draw water out

ASTPADI, from Sanskrit astapada, astapad or astapadf, is a poetic composition comprising ast or eight padas or stanzas. No specific rhyme scheme, measure or burden is prescribed for it, but all the eight stanzas must be in the same metre and measure. Lines in each stanza are generally rhymed.

JAVALA SINGH, BHAI SAHIB (1872-1952), a renowned exponent of the Sikh devotional music, was born in 1872 at the village of  Saidpur in Kapurthala district of the Punjab. His father, Bhai Deva Singh and grandfather, Parijab Singh were in their day celebrated rdgis or musicians who recited Sikh kirtan

VAR, a verse form in Punjabi popular in folklore as well as in refined poetry. In the old bardic tradition of the Punjab, var meant the poem itself with its typical theme as also the form in which it was cast. The earliest vars were ballads of battles and

BEDI, a subcaste of the Khatris, Prakritized form of the Sanskrit kstriya which is one of the four caste groups into which the Hindu society is divided. The Khatris are mainly Hindus though there is among them a Sikh element which is small in number but important historically.There are no

BUNGAS The word bunga is derived from the Persian bungah meaning a hospice, or a dwelling place. In the Sikh tradition, the word specifically refers to the dwelling places and mansions which grew up around the Harimandar at Amritsar and at other centres of Sikh pilgrimage. These were primarily the

ALAHUNI,(mournful song by women) When a person dies. women cry and often sing songs in chorus in praise Of the deceased. There is a lot of pessimism in, such songs. Generally professional women used to lead in the singing of mourning songs. Guru Nanak used this form of poetry

KAFI (Arabic Qafi), literally stands for the leader, the enlightener, one who fulfils the need. In poetics it denotes the refrain in a song or hymn, and is also the title given to a poetic form in Arabic as well as in Indian literature. Guru Nanak was the first to