GARAB GANJANI TIKA, by Bhai Santokh Singh, is an exegesis in the Nirmala tradition of Guru Nanak`s Japu. The commentator, a celebrated poet and chronicler and author of the monumental Sri Gur Pratap Suraj Granth, completed the work, his only one in prose, in 1886 Bk/AD 1829. Whereas all his
RAGMAIA, lit. a rosary of ragas or musical measures, is the title of a composition of twelve verses, running into sixty lines, appended to the Guru Granth Sahib after the Munddvam, i.e. the epilogue, as a table or index of ragas. In the course of the evolution of Indian music,
APOCRYPHAL COMPOSITIONS, known in Sikh vocabulary as kachchi bani (unripe, rejected texts) or vadhu bani (superfluous texts) are those writings, mostly in verse but prose not excluded,which have been attributed to the Gurus, but which were not incorporated in the Guru Granth Sahib at the time of its compilation in
CHALITARJOTlJOTI SAMAVANE KE, one of a collection of seven unpublished Punjabi manuscripts held in the Khalsa College at Amritsar under catalogue No. 1579E. Comprising a bare three folios (3063-08), it is divided into two sections. The first part (ft. 3063-07) entitled "Verva Guriai ka Likhia," lit. details recorded of the
KUL GURU GOBIND SINGH JI KI DASAM PATSHAHI Kl, lit. the family or sept {hula) of Guru Gobind Singh, the tenth (dasam) Guru of the Sikhs, forms part of a collection of unpublished Punjabi manuscripts, including such titles as Rahitnama Nand Lal, Rahitnama Prahlad Singh and abbreviated version of Prem
TANKHAHNAMA, by Bhai Nand Lal, is a Sikh penal code laying down punishments and fines for those guilty of religious misconduct. Tankhah, a Persian word, actually means salary, reward or profit, and nama, also Persian denoting an epistle, a code or a catalogue. In Sikh usage, however, tankhah stands for
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