SAKHlAN BHAI ADDAN SHAH is a collection of sakhis or anecdotes concerning Bhai Addan Shah, a celebrated saint of the Sevapanthi sect. The extant manuscripts of the work are all undated, but the surmise is that these were written around the middle of the eighteenth century when Bhai Addan Shah

BAVANJA KAVI, lit. fifty-two poets, is how the galaxy of poets and scholars who attended on Guru Gobind Singh (1666-1708) is popularly designated. Guru Gobind Singh, Nanak X, prophet and soldier, was an accomplished poet and also a great patron of letters. According to Sarup Das Bhalla, Mahima Prakash, he

JAPUPARAMARATH, by Bhai Ram Kishan, is an unpublished manuscript of the exegesis of Guru Nanak`s Japu. The only manuscript copy is available at Ace. No. 612 in the Dashmesh Library, Anandpur the other two in the Sikh Reference Library, Amritsar, and the Khalsa College Library, Patiala, having since been destroyed

SAU SAKHI (lit. a book of one hundred anecdotes) is the popular name of Gur Ratan Mal (lit. a string of the Guru`s gems), a work esoteric and prophetic in nature : also problematic as regards the authenticity of its text. Its writer, one Sahib Singh, describes himself only as

BHAGATRATNAVALI, also known as Sikhan di Bhagatmal or Sikhan di Bhagatmala or Bhagatavali is a tika or exposition, in Punjabi prose, of a Var (no.ll) from Bhai Gurdas`s Varan. The Var con tains a roster of the names of some of the Sikhs of the time of the first six

JOTI BIGAS is the joint title of two poetic compositions, one in Persian and the other in Punjabi, by Bhai Nand Lal Goya, a devoted Sikh of Guru Gobind Singh, much revered in Sikh piety and in letters. Bhai Nand Lal`s verse is classed as approved Sikh canon and can

SRI GUR SOBHA, a poetical work, part eulogy and part history, is an admixture of Braj and eastern Punjabi, by Sainapati who enjoyed Guru Gobind Singh`s patronage for several years. The work, which had remained unknown to scholars of the recent period, was rediscovered by Akali Kaur Singh and published

BHERA SRI GOBIND SINGH JI KA, also known as Var Bhere ki Patshahi Das, is an anonymous account, in Punjabi verse, of the battles of Anandgarh, Nirmohgarh and Chamkaur (1762 Bk/AD 1705). BAera from bher in Punjabi means a headon clash between two rival forces. A manuscript of this work

KABUL VALI MAI. or the Lady from Kabul, is the name chroniclers have given to a woman who rendered devoted service during the digging of the bdoH at Goindval under the supervision of Guru Amar Das. Day after day, says Sarup Das Bhalla, Mahimd Prakdsh, she toiled away at the

SRI SATIGURU Jl DE MUHAIN DJAN SAKHIAN, i.e. witnesses or instructions from the lips of the venerable Guru himself, is the title of a manuscript, preserved in Gurdwara Manji Sahib at Kiratpur in the Sivaliks by the granthi, Babu Singh, who claims descent from Bibi Rup Kaur, adopted daughter of

In Punjabi Letters this term is not current. There is a long tradition of tikas, meaning compositions in which a poetic text is published with every line followed by its meaning in prose, including a brief comment wherever considered necessary by the tikakar.

KARKHE PATSHAH DASVEN KE. The term "karkhe" is the plural from of`karkha" which is the name of a poetic form, mostly used in war poetry in old Hindi. The Karkhe Pats hah Dasven Ke consists of two such poems, desciribng the battles of Guru Gobind Singh. The poet goes by