KHALSA MAHIMA, literally praise of the Khalsa, is a short poem by Guru Gobind Singh inserted at the end of the thirty-three Savaiyyc in the Dasam Granth. The language is Braj Bhasa, i.e. medieval Hindi of the Mathura Agra region. The setting is provided by an incident which occurred

SALOP SAHASKRITI, title of a composition comprising seventy-one verses incorporated in the Guru Granth Sahib. The term `Sahaskriti` denotes the language form, a mixture of Sanskrit, Pali and Prakrit, in which these slokas have been written. `Gatha` is another word used for `Sahaskriti`. Of the seventy-one verses collected under

SUKHMANI, titled Gauri Sukhmani in the Guru Granth Sahib after the musical measure Gauri to which it belongs, is a lengthy composition by Guru Arjan which many include in their daily regimen of prayers. The site, once enclosed by a dense wood, where it was composed around AD 160203,

Panj Sau Sakhi, a collection of five hundred anecdotes (panj=five; sau=hundred; sakhi = anecdote), attributed to Bhai Ram Kuir (1672-1761), a descendant of Bhai Buddha, renamed Bhai Gurbakhsh Singh as he received the rites of the Khalsa at the hands of Guru Gobind Singh (1666-1708). It is said that

GUKBILAS CHHEVIN PATSHAHl, lit. the (life)play of the Sixth Guru, is a versified biography of Guru Hargobind in language more akin to Braj, written in the Gurmukhi script. The author is anonymous, though the colophon mentions 1775 Bk/AD 1718 as the year of the completion of the work. The task,

PAN SAU SAKHI, a collection of five hundred anecdotes (panj = five; sau = hundred; sdkhi = anecdote), attributed to Bhai Ram Kuir (1672-1761), a descendant of Bhai Buddha, renamed Bhai Gurbakhsh Singh as he received the rites of the Khalsa at the hands of Guru Gobind Singh (1666-1708). It

VIDIA SAGAR GRANTH, lit. the book (granth) of the ocean (sagar) of wisdom {vidia), is the title given to a legendary literary corpus created at Anandpur under the patronage of Guru Gobind Singh. The volume, also known as Vidiasar Granth, Vidiadhar Granth and Samund Sagar Granth, was supposed to comprise

CHATAR SINGH COLLECTION, comprising correspondence, papers, treaties, etc., particularly relating to transactions among the Dogra chiefs of Jammu (Dhian Singh, Gulab Singh and Suchet Singh) and between them and the Lahore Darbar, was put together by Thakur Chatar Singh of Dharamsala and is now preserved in the Punjab State Archives,

PARYAI, Sanskrit parydya, meaning a synonym or convertible term, is used in Sikh literature spelt variously as priydi, pridy and praydya. It was a popular title for glossaries explaining terms and difficult words used in Guru Granth Sahib which were the forerunners of full scale translations or exegeses of the

TWARIKH GURU KHALSA, a voluminous prose narrative delineating the history of the Sikhs from their origin to the time when they lost the Punjab to the British. The author, Giani Gian Sihgh (1822-1921), claimed descent from the brother of Bhai Mani Singh, the martyr, who was a contemporary of Guru

BANI BIRDH PRATAP is a collection of religious and devotional poetry in a mixture of Braj and Punjabi, written in Gurmukhi script by Baba Ram Das, a Divana sadhu. The volume is preserved with reverence due to a religious scripture in the dera or monastery of the Divana sect established