KARHAIE is the title under which two compositions, each of ten verses, by Guru Ram Das appear in the Guru Granth Sahib in Raga Gaun Purabi. The title has been picked from the text of the hymns wherein the term karhale (plural form) or karhald (singular form) has been

SALOK MAHALLA 9, i.e. slokas of the composition of Guru Tegh Bahadur, Nanak IX, form the concluding portion of the Guru Granth Sahib, preceding Guru Arjan`s Mundavam (GG, 142629). These slokas are intoned as part of the epilogue when bringing to a close a reading of the Guru Granth

SUCHAJl (SUCHAJJI), literally, a woman of good manner and accomplishment, is the title of one of Guru Nanak`s compositions, in measure Suhi, in the Guru Granth Sahib. Antithetically, it follows another of his compositions called Kuchaji (literally, an awkward, illmannered woman). Suchaji (`sn`, meaning good or appropriate; `chaf meaning

BASANT KIVAR, by Guru Arjan, is the shortest of the twenty-two vars, i.e. holy poems composed in the style or tone of odes (vars, in Punjabi) or heroic ballads included in the Guru Granth Sahib. Basant, Punjabi for spring, from which musical measure the Var derives its title is,

DAS, BHATT. See BHATT BANI DAS GRANTHI, a pothi, i.e. a small book, containing selected barns or texts from the Dasam Granth. Das, meaning `ten`, here stands for `tenth`, or the Tenth Master`s granth or book to distinguish it from the older Adi Granth, i.e. the first or primary

KHALSA MAHIMA, literally praise of the Khalsa, is a short poem by Guru Gobind Singh inserted at the end of the thirty-three Savaiyyc in the Dasam Granth. The language is Braj Bhasa, i.e. medieval Hindi of the Mathura Agra region. The setting is provided by an incident which occurred

SALOP SAHASKRITI, title of a composition comprising seventy-one verses incorporated in the Guru Granth Sahib. The term `Sahaskriti` denotes the language form, a mixture of Sanskrit, Pali and Prakrit, in which these slokas have been written. `Gatha` is another word used for `Sahaskriti`. Of the seventy-one verses collected under

SUKHMANI, titled Gauri Sukhmani in the Guru Granth Sahib after the musical measure Gauri to which it belongs, is a lengthy composition by Guru Arjan which many include in their daily regimen of prayers. The site, once enclosed by a dense wood, where it was composed around AD 160203,

BAVAN AKHARI, a poem constructed upon 52 (bavan) letters (akhar) of the alphabet. In this form of poetry each verse begins serially with a letter of the alphabet. The origin of the genre is traced to ancient Sanskrit literature. Since the Devanagari alphabet, employed in Sanskrit, comprises fifty-two (bavan, in

DINRAIN, lit. (din + rain) day and night, is the title (dinraini) of a single 4stanza hymn by Guru Arjan Dev in the Majh measure (GG, 13637). The composition evidently follows the prosodic vogue of inscribing verses to kalkrama (process of time) embracing forms such as baramaha (twelve months

KUCHAJI, lit. an awkward, illmannered woman, is the title of one of Guru Nanak`s compositions, in measure Suhi in the Guru Granth Sahib. Antithetically it is followed by another of his compositions called Suchaji (lit. a woman of good manner and accomplishment). KuchaJi verses are said to have been

SALOX VARAN TE VADHIK is the title given to a miscellany comprising 152 slokas or couplets appearing in the concluding portion of the Guru Granth Sahib. Guru Arjan, when compiling the Holy Volume introduced slokas by the Gurus he had collected into the texts of vars, another favored form