LAVAN is the title traditionally given a short fourslan/a composition by Guru Ram Das included under rdga Suhi (p. 773) in the Guru Granth Sahib. The word Idvdn, in the Indian tradition, also stands for the marriage ceremony: in Hindu society the couple reverentially circumambulates the holy fire to

SARABLOH GRANTH, a poem narrating the mythological story of the gods and the demons, in ascribed to Guru Gobind Singh, and is therefore treated as a sacred scripture among certain sections of the Sikhs, particularly the Nihang Sikhs. The authorship is however questioned by researchers and scholars of Sikhism on

VADAHANS KI VAR, in the Guru Granth Sahib, is by Guru Ram Das. He has composed the largest number of Vars, eight out of the twenty-two included in the Guru Granth Sahib. The poetic stanza used is the usual paun. There are 21 pauns in all, interspersed with slokas

FATEHNAMAH, or Namah-i-Guru Gobind Singh, a letter (namah in Persian) that Guru Gobind Singh (1666-1708) is believed to have addressed to Emperor Aurangzib prior to his better known Zafarnamah included in the Dasam Granth. The first reference to the existence of Fatehndmah dates to 1922 when Babu Jagan Nath Das

MARU VAR MAHALLA III, by Guru Amar Das, Nanak III, in the musical measure Maru is a poetical composition in the style of a vdr included in the Guru Granth Sahib. There are totally twenty-two such vdrs in the Guru Granlh Sahib in various musical moulds. A vdr is

SARANG Kl VAR, in the Guru Granth Sahib, is of the composition of Guru Ram Das. It is set to be sung in Sarang raga and hence the tide Sarang ki Var. Nine of the 22 vars included in the Guru Granth Sahib are composed in the musical mode

VAR MAJH KI, by Guru Nanak occurs in the musical measure Majh, in the Guru Granth Sahib. The word majh, in Punjabi, means in the middle or midway, and the raga which goes by this name was a folk tune of Majha, the central country of die Punjab, which

BHATT BANI, recorded under the title Savaiyye, is the name popularly given to the compositions of the Bhatts as included in the Guru Granth Sahib (pp. 13891409). Bhatts were bards or panegyrists who recited poetry lauding the grandeur of a ruler or the gallantry of a warrior. Bhatt was

GATHA, title of Guru Arjan`s composition comprising twenty-four verses included in the Guru Granth Sahib. In Sanskrit writings, gdthd stands for a religious verse of non Vedic origin, a stanza or a song. In Prakrit and Buddhist traditions, the term signifies averse, a line of poetry, song, stanza or aphorism.

MARU VAR, Guru Arjan`s composition in the Maru musical measure in the Guru Granth Sahib. Traditionally, Maru which gives the Vdr its title is elegiac verse and is commonly sung in the afternoon. This measure has a martial undertone as well. The singing of Maru rdga with devotion annuls

SASTRA NAM MALA PURAN is a versified composition, included in the Dasam Granth. It is acknowledged to be the work of Guru Gobind Singh. The poem lists weapons of war, which are praised as protectors and deliverers. It runs to 1318 verses and covers 98 pages in the Dasam