KHALSA MAHIMA, literally praise of the Khalsa, is a short poem by Guru Gobind Singh inserted at the end of the thirty-three Savaiyyc in the Dasam Granth. The language is Braj Bhasa, i.e. medieval Hindi of the Mathura Agra region. The setting is provided by an incident which occurred

SALOP SAHASKRITI, title of a composition comprising seventy-one verses incorporated in the Guru Granth Sahib. The term `Sahaskriti` denotes the language form, a mixture of Sanskrit, Pali and Prakrit, in which these slokas have been written. `Gatha` is another word used for `Sahaskriti`. Of the seventy-one verses collected under

SUKHMANI, titled Gauri Sukhmani in the Guru Granth Sahib after the musical measure Gauri to which it belongs, is a lengthy composition by Guru Arjan which many include in their daily regimen of prayers. The site, once enclosed by a dense wood, where it was composed around AD 160203,

BAVAN AKHARI, a poem constructed upon 52 (bavan) letters (akhar) of the alphabet. In this form of poetry each verse begins serially with a letter of the alphabet. The origin of the genre is traced to ancient Sanskrit literature. Since the Devanagari alphabet, employed in Sanskrit, comprises fifty-two (bavan, in

DINRAIN, lit. (din + rain) day and night, is the title (dinraini) of a single 4stanza hymn by Guru Arjan Dev in the Majh measure (GG, 13637). The composition evidently follows the prosodic vogue of inscribing verses to kalkrama (process of time) embracing forms such as baramaha (twelve months

KUCHAJI, lit. an awkward, illmannered woman, is the title of one of Guru Nanak`s compositions, in measure Suhi in the Guru Granth Sahib. Antithetically it is followed by another of his compositions called Suchaji (lit. a woman of good manner and accomplishment). KuchaJi verses are said to have been

SALOX VARAN TE VADHIK is the title given to a miscellany comprising 152 slokas or couplets appearing in the concluding portion of the Guru Granth Sahib. Guru Arjan, when compiling the Holy Volume introduced slokas by the Gurus he had collected into the texts of vars, another favored form

THITI with the variation THITTIN, is a title shared by three different compositions, one each by Guru Nanak, Guru Arjan and Kabir, in the Guru Granth Sahib. According to traditional Indian calendar, thitt (Skt. tithi) denotes a day or a date of the lunar cycle of the month. In

BHAGAT (BHAKTA) BANI The Sikh Holy Book, Sri Guru Granth Sahib, comprises writings coming from two sources the sayings of the Gurus and those of the Bhagats (Bhaktas). The term Bhagat here broadly covers, besides some of the saints of medieval India whose compositions occur in the Guru Granth

FARIDKOT TIKA, the earliest full scale exegesis or annotated version of the Guru Granth Sahib, was prepared under the patronage of the princely rulers of the state of Faridkot. Hence its popular name Faridkot Vala Tika or, for short, FaridkotTika. Its full title is Adi Sn Guru Granth Sahib

LAVAN is the title traditionally given a short fourslan/a composition by Guru Ram Das included under rdga Suhi (p. 773) in the Guru Granth Sahib. The word Idvdn, in the Indian tradition, also stands for the marriage ceremony: in Hindu society the couple reverentially circumambulates the holy fire to

SARABLOH GRANTH, a poem narrating the mythological story of the gods and the demons, in ascribed to Guru Gobind Singh, and is therefore treated as a sacred scripture among certain sections of the Sikhs, particularly the Nihang Sikhs. The authorship is however questioned by researchers and scholars of Sikhism on