FATEHNAMAH, or Namah-i-Guru Gobind Singh, a letter (namah in Persian) that Guru Gobind Singh (1666-1708) is believed to have addressed to Emperor Aurangzib prior to his better known Zafarnamah included in the Dasam Granth. The first reference to the existence of Fatehndmah dates to 1922 when Babu Jagan Nath Das

MARU VAR MAHALLA III, by Guru Amar Das, Nanak III, in the musical measure Maru is a poetical composition in the style of a vdr included in the Guru Granth Sahib. There are totally twenty-two such vdrs in the Guru Granlh Sahib in various musical moulds. A vdr is

SARANG Kl VAR, in the Guru Granth Sahib, is of the composition of Guru Ram Das. It is set to be sung in Sarang raga and hence the tide Sarang ki Var. Nine of the 22 vars included in the Guru Granth Sahib are composed in the musical mode

VAR MAJH KI, by Guru Nanak occurs in the musical measure Majh, in the Guru Granth Sahib. The word majh, in Punjabi, means in the middle or midway, and the raga which goes by this name was a folk tune of Majha, the central country of die Punjab, which

BHATT BANI, recorded under the title Savaiyye, is the name popularly given to the compositions of the Bhatts as included in the Guru Granth Sahib (pp. 13891409). Bhatts were bards or panegyrists who recited poetry lauding the grandeur of a ruler or the gallantry of a warrior. Bhatt was

GATHA, title of Guru Arjan`s composition comprising twenty-four verses included in the Guru Granth Sahib. In Sanskrit writings, gdthd stands for a religious verse of non Vedic origin, a stanza or a song. In Prakrit and Buddhist traditions, the term signifies averse, a line of poetry, song, stanza or aphorism.

MARU VAR, Guru Arjan`s composition in the Maru musical measure in the Guru Granth Sahib. Traditionally, Maru which gives the Vdr its title is elegiac verse and is commonly sung in the afternoon. This measure has a martial undertone as well. The singing of Maru rdga with devotion annuls

SASTRA NAM MALA PURAN is a versified composition, included in the Dasam Granth. It is acknowledged to be the work of Guru Gobind Singh. The poem lists weapons of war, which are praised as protectors and deliverers. It runs to 1318 verses and covers 98 pages in the Dasam

VAR MALAR Kl MAHALLA I, composition of the first Guru (i.e. Guru Nanak), is one of the twenty-two vars appearing in the Guru Grandi Sahib under different ragas. A var is a folk poem of war and chivalry, celebrating a hero and his gallantry. In the Guru Granth Sahib

BIHAGRE KI VAR, by Guru Ram Das, is one of the twenty-two vars included in the Guru Granth Sahib. The Var, originally comprised pauris which were prefaced with slokas, or couplets, by Guru Arjan at the time of the compilation of the Guru Granth Sahib. All the twenty-one pauris

GAURI KI VAR, by Guru Ram Das, is one of his seven vars in a total of twenty-two in the Guru Granth Sahib. As the title indicates, the Vdr is cast in the Gauri musical measure a rdga commonly sung in the evening. In Sikh Scripture, Gaun is the

MUNDAVANI (lit. a seal or riddle), the concluding hymn of the Guru Granth Sahib composed by Guru Arjan as an epilogue to the Scripture which he had himself compiled and the first copy of which was transcribed under his guidance. The hymn comprises two parts; in the first part,