ANANDU, noncanonically spelt Anand, by Guru Amar Das, is like Guru Nanak`s Japu, one of the more familiar texts in the Guru Granth Sahib. Set in the Ramkali musical measure and comprising forty stanzas, Anand is recited liturgically, especially in its shortened form, at the conclusion of all congregational services and at prayers offered at weddings and other ceremonies to seek God`s grace and solace and to rejoice on happy occasions in the favours granted by Him. The Sikh marriage ceremony itself has come to be called anand, which term has also been used in the legislative enactment governing the custom.
GUNVANTI, lit. a woman of becoming qualities, is the title of one of Guru Arjan`s compositions, in measure Suhi, in the Guru Granth Sahib (GG, 763). It follows Guru Nanak`s Kuchajl (lit. an awkward, illmannered woman) and Suchaji (lit. a woman of good manner). The term gunvanti is figuratively used for a true, meritorious devotee. Like the hymns of Guru Nanak, this one too is uttered in the first person, and by implication, it sums up qualities characteristic of a true and pious Sikh.
PRAN SANGLI, lit. the chain of breath or vital air, is a collection of compositions, attributed to Guru Nanak but in reality apocryphal, dealing with yogic practices, particularly prdndydma or control of vital air. The original Prdn Sangli, was, in all probability, a small composition, though the now available recension, edited by Sant Sampuran Singh and published in 1898 in the Devanagri script, in three volumes by Bhai Mohan Singh Vaid, Tarn Taran, runs into more than 700 pages and contains as many as 80 chapter which, with the exception of the first few, are not closely related or coordinated.Each of these chapters is presented as an exposition by Guru Nanak of a question raised by Raja Shivnabh of Sarigladip (Sri Lanka) where Prdn Sangli is said to have been composed.
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