LAHURA SAHIB GURUDWARA, GHAWINDI DISTT LAHORE The village called Ghawindi is on Lahore-Ghawindi road. It is two kilometer from Ghawindi and the shrine of Jagat Guru called Lahura Sahib is located in this village. Guru Nanak had come to this village from "Jahman" and stayed under the benign shade of

AMRIT VELA, is the time of about three and three quarters of an hour before sunrise, say from about 2.15 AM to 6AM. Guru Nanak urged his disciples to get up at this auspicious time and recite God\'s name. Literally it means the "period of divine nectar" In this

MARU VAR MAHALLA III, by Guru Amar Das, Nanak III, in the musical measure Maru is a poetical composition in the style of a vdr included in the Guru Granth Sahib. There are totally twenty-two such vdrs in the Guru Granlh Sahib in various musical moulds. A vdr is

ANHAD/ANHAT BANI or SHABD :A sound that is unending and knows no limits. Audible life current originating from the Divine Will, endlessly carrying on the work of creating and sustaining the universe; interchangeably used with Anhat meaning \'Unstruck\', as it it automatic and not instrumental. It also means sound not

NADAR (Arabic nazar: glance, favourable regard, favour), implying Divine grace, is a concept central to Sikh religious tradition affirming its faith in a Transcendental Being responsive to human prayer and appeal for forgiveness and mercy. It reiterates at the same time a belief in the sovereignty of Divine Will

BACHITRA NATAK (bachitra = marvellous, wondrous + natak = drama, play) is the name given a complex of compositions, commonly attributed to Guru Gobind Singh, the Tenth Guru or prophet teacher of the Sikh faith, assembled in his book, the Dasam Granth: hence, the name dasam (tenth) granth (book), i.e.

NAM (lit. name), a collection of sounds possessing the capacity to signify a person, place, thing or idea, is a key term in Sikh theology, embodying a concept of central importance. It subsumes within it the revelation of God`s being, the only fit object of contemplation for the individual,

BANI, Sanskrit van! (meaning sound, voice, music; speech, language, diction; praise, laudation), refers in the specifically Sikh context to the sacred compositions of the Gurus and of the holy saints and sufis as incorporated in the Scripture, the Guru Granth Sahib. Compositions of Guru Gobind Singh comprising the Dasam

PHUNHK, plural of phunha, a word derived from the Sanskrit punha meaning `again`, is the name of a poetic metre in which a particular term or phrase occurs repeatedly in each chhand or may be in each verse of a poem; in the Guru Granth Sahib it is the title

BARAH MAHA or BARAH MASA, in Hindi, is a form of folk poetry in which the emotions and yearnings of the human heart are expressed in terms of the changing moods of Nature over the twelve months of the year. In this form of poetry, the mood of Nature

PUNN, a concept in the Indian tradition carrying simultaneously ethical, spiritual and philosophical connotations. As an ethical concept it implies voluntary obedience to the moral rules of conduct which have the sanction of a system of reward and punishment. As spiritual attitude, it is the inclination of the self towards

BHAGAUTI or Bhavani (Skt. Bhagavati. consort of Visnu, or the goddess Durga) has had in Sikh usage a chequered semantic history.In early Sikhism, especially in the compositions comprising the Guru Granth Sahib, the word means a bhakta or devotee of God. "So bhagautijo bhagvantai janai; he alone is a true