JAITSAIILMAHALA 5 VARSLOKANNALI, by GuruArjan, is one of the twenty-two Vdrs, i.e. compositions in this folk form but moulded to a spiritual theme, included in the Guru Granth Sahib. It has been named Jaitsari because of the musical measure it belongs to. While the philosophical standpoint in the entire

JAPU, with the Punjabi complimentary ji commonly suffixed to it as ah honorific, is the opening composition of Sikh Scripture, the Guru Granth Sahib. At the head of the table of contents of the volume, this composition is recorded as Japu Nisdnu, meaning the `flag composition Japu` or, according

KANRE KI VAR, by Guru Ram Das, is one of the twenty-two compositions entered in the Guru Granth Sahib under the rubric of vdr. Like oilier vdrs it is assigned to a specific musical measure Kanra, in this instance. At the head of the Vdr is recorded by Guru

KARMA, THE DOCTRINE OF, closely connected with the theory of rebirth and transmigration, is basic to the religious traditions of Indian origin such as Hinduism, Jainism, Buddhism and Sikhism. The term karam, as it is spelt in Punjabi and as it occurs in Sikh Scripture, the Guru Granth Sahib, has

KRODH (Ski. krodh(i) or wrath is an emotion recognised in the Sikh system as a spring of co-nation and is as such counted as one of the Five Evils. It expresses itself in several forms from silent sullenness to hysterical tantrums and violence. In Sikli Scripture krodh usually appears

MARU VAR, Guru Arjan`s composition in the Maru musical measure in the Guru Granth Sahib. Traditionally, Maru which gives the Vdr its title is elegiac verse and is commonly sung in the afternoon. This measure has a martial undertone as well. The singing of Maru rdga with devotion annuls

ANAND (Skt. Anand, from nand meaning "to rejoice" or "to delight") denotes mystical experience, spiritual bliss or a state of consciousness such as that ofaJi`van mukta, i.e. one released while still in body. Anand in the Upanisadic texts istaken to be one of the three inherent attributes of atman

NADAR (Arabic nazar: glance, favourable regard, favour), implying Divine grace, is a concept central to Sikh religious tradition affirming its faith in a Transcendental Being responsive to human prayer and appeal for forgiveness and mercy. It reiterates at the same time a belief in the sovereignty of Divine Will

ANANDU, noncanonically spelt Anand, by Guru Amar Das, is like Guru Nanak`s Japu, one of the more familiar texts in the Guru Granth Sahib. Set in the Ramkali musical measure and comprising forty stanzas, Anand is recited liturgically, especially in its shortened form, at the conclusion of all congregational services

NAM (lit. name), a collection of sounds possessing the capacity to signify a person, place, thing or idea, is a key term in Sikh theology, embodying a concept of central importance. It subsumes within it the revelation of God`s being, the only fit object of contemplation for the individual,

ANHAD/ANHAT BANI or SHABD :A sound that is unending and knows no limits. Audible life current originating from the Divine Will, endlessly carrying on the work of creating and sustaining the universe; interchangeably used with Anhat meaning \'Unstruck\', as it it automatic and not instrumental. It also means sound not

PAPA (Sanskrit and Pali papa, Prakrit pdva). The word stands for one of the basic concepts of the Indian religious tradition. This concept relates to what is considered religiously and morally evil, an act of body, mind, or speech opposed to what is considered religiously and morally good. In