BHIKHAN (1480-1573), a medieval Indian saint two of whose hymns are included in the Guru Granth Sahib. There are in fact two saints of that time sharing the same name Bhakta Bhikhan and Bhikhan the Sufi. Bhakta Bhikhan was a devotee in the tradition of Ravidas and Dhanna. His

SOHILA or KIRTAN SOHILA is, in sequence, the fourth barn or composition entered in the Guru Granth Sahib. Sohila is the caption given in the scripture, though it is popularly known as Kntan Sohila, and is also sometimes so captioned in the gutkas or breviaries. The Sohila comprises five

BARBARA SINGH, BABA (1814-1870), second in the hierarchy of the Nirankari sect, was the eldest of the three sons of Baba Dayal, the founder of the sect. He was born at Rawalpindi on 1 Baisakh 1871 Bk / 11 April 1814 and succeeded to his father`s seat on 30

SRI SATIGURU Jl DE MUHAIN DJAN SAKHIAN, i.e. witnesses or instructions from the lips of the venerable Guru himself, is the title of a manuscript, preserved in Gurdwara Manji Sahib at Kiratpur in the Sivaliks by the granthi, Babu Singh, who claims descent from Bibi Rup Kaur, adopted daughter of

BASISTA (VASISHTHA) The enlightened sage (Gurmukh) Basista, delivered the sermon about God (Hari). (Wadhans Ki Var M. 4, p. 591) Vasishtha is one of the most famous Indian sages. He was the author of several hymns of Rig Veda. In one of the hymns of the Rig Veda, he

TRILOCHAN, one of the three Maharashtrian saint poets whose compositions are included in the Guru Granth Sahib, the other two being Namdev and Parmanand. Trilochan is said to have been born in AD 1267 of a Vaisya family. There is no unanimity among scholars regarding the place of his

CHAUNKI or Chauki, lit. quarter, a four footed wooden platform upon which sat the holy choir to recite the sacred hymns in a gurdwara or at a gathering of the devotees. The term chaunki also refers to a session of kirtan or hymn singing, the number of singers at such

CHUHAR, BHAI, Bhai Sam. Bhai Lala, all Sethi Khatris, and Bhai Nihalu were good musicians and had facility in expounding the holy hymns. Whenever they sang, discussed or discoursed on the sacred hymns, the sangat, records Bhai Mani Singh in his Sikhari di Bhagat Mala, felt deeply impressed. Guru

DHANNA, BHAGAT (b. 1415?), one of the medieval saints whose bani has been incorporated in the Guru Granth Sahib, describes himself in a hymn, in Raga Asa, as an ignorant Jatt and explains how he was attracted to the worship of God by the examples of Namdev (a calicoprinter),

GHORIAN, hymns by Guru Ram Das in measure Vadahans in the Guru Granth Sahib. The word `ghondn` in Punjabi is tlie plural form of ghon, a mare. In Punjabi folk poetry, a type of lyrical songs which are sung on the occasion of marriage are called ghondn. A Punjabi

ARATI, from Sanskrit aratrik, meaning the light or the vessel containing it which is waved before an idol, generally in the clockwise direction, accompanied by the chanting of mantras. This is also the name given the ceremony which for the Hindus is a mode of ritual worship to propitiate

GOSTI BABA NANAK, lit. the discourses of Baba [Guru] Nanak dictated by Hariji, son of Sodhi Miharban, is an unpublished and incomplete work (MS. No. 2306) preserved in the Sikh History Research Department at the Khalsa College at Amritsar, comprising 235 folios and 23 complete and two, one in the