ELECTRIFICATION OF THE GOLDEN TEMPLE, Whether or not electricity be inducted into the Golden Temple premises was a raging polemic in the closing years of the nineteenth century. There were views pro and con, and the debate was joined by both sides vehemently and unyieldingly. As was then the style

GURU, a spiritual guide or preceptor. The term, long used in the Indian religious tradition, has a special connotation in the Sikh system. The Sikh faith itself signifies discipleship, the word sikh (sisya in Sanskrit and sissa or sekha in Pali) meaning pupil or learner. The concept of Guru,

JOTI BIGAS is the joint title of two poetic compositions, one in Persian and the other in Punjabi, by Bhai Nand Lal Goya, a devoted Sikh of Guru Gobind Singh, much revered in Sikh piety and in letters. Bhai Nand Lal`s verse is classed as approved Sikh canon and can

KANRE KI VAR, by Guru Ram Das, is one of the twenty-two compositions entered in the Guru Granth Sahib under the rubric of vdr. Like oilier vdrs it is assigned to a specific musical measure Kanra, in this instance. At the head of the Vdr is recorded by Guru

MIAN MITTHA, a Muslim holyman living in a village which came to be called Kotia Miari Mittha in the present Sialkot district of Pakistan Punjab, met Guru Nanak as the latter was passing through his village. The two held a discourse. According to Purdtan Janam Sdkhi, Miari Mittha observed

RAM DAS, GURU (1534-1581), is the fourth Guru or spiritual mentor of the Sikhs in the line of Guru Nanak, Guru Arigad and Guru Arnar Das. "Ram Das" translates as servant or slave of God (ram = God + dds slave). Blessed by Guru Amar Das with the light of

SURAJA (SURYA) The sun-god and moon-god are in Thy Fear, O Lord ! There is no end to the distances of million of miles traversed by them. (Var Asa, M. l, p. 464) There are many Indras, sun-gods and moon-gods..... (Japu, p. 7) The sun-god, (whose charioteer is Aruna),