BARAH MAHA or BARAH MASA, in Hindi, is a form of folk poetry in which the emotions and yearnings of the human heart are expressed in terms of the changing moods of Nature over the twelve months of the year. In this form of poetry, the mood of Nature

CHALITARJOTlJOTI SAMAVANE KE, one of a collection of seven unpublished Punjabi manuscripts held in the Khalsa College at Amritsar under catalogue No. 1579E. Comprising a bare three folios (3063-08), it is divided into two sections. The first part (ft. 3063-07) entitled "Verva Guriai ka Likhia," lit. details recorded of the

GURBANSAVAU, by Saundha (variously Saundha Singh), is a chronology in verse of the Gurus and of their families. The author, a contemporary and for some time an employee of Maharaja Ranjit Singh, was a Sandhu Jattofthe Lahore district. His father was Chaudhari Hem Raj, and his elder brother, Hira Singh,

HARIMANDAR (lit. the House of God; hari = Visnu, or God; mandar = temple, house), Golden Temple to the English speaking world, is the Sikhs` most famous sacred shrine. Also called Sri Darbar Sahib (the Exalted Holy Court), it lies in the heart of the city of

LANE, STEPHEN, an American, who served for some years in Scindia`s army rising lo the rank of lieutenant. Hejoined Maharaja Ranjit Singh`s army in 1834, and was entrusted with the command of a battalion. Being an habitual drunkard, he was dismissed from service after about 18 months and deported

NIHAL SINGH SODHI (d. 1859), son of Megh Singh, entered Maharaja Ranjit Singh`s army in 1819, and was, five years later, made commandant of 100 horsemen in the Charyari corps. He fought for Maharaja Sher Singh during the siege of Lahore in January 1841. Under Sher Singh`s successor, Nihal

SIKH CALENDAR or system of reckoning chronology or dates of events in Sikh history is generally based on the Vikrami Samvat (Bikrami Sammat, in Punjabi), a system mostly in vogue in northern India, although other systems the Hijri during the Muslim period and Christian since the advent of the