ASA, one of the thirty one ragas or musical measures into which compositions comprising the Sikh holy book, Guru Granth Sahib, except the Japu, are cast and in which they are meant to be recited and sung. This raga is important in the Sikh system of music, and is said

CHUHAR, CHAUDHARl and Puria, both village headmen, attracted by Guru Arjan\'s fame as a holy teacher, once visited him. They said, "0 beneficent one, we have long desired to seek your precept. In our official capacity as village chaudharis, we commit many wrongs and utter many falsehoods. Be pleased

DIVALI, festival of lights (from Sanskrit dipamala or dipavali meaning row of lamps or nocturnal illumination), is observed all over India on amavasya, the last day of the dark half of the lunar month of Kartika (October-November). Like other seasonal festivals, Divali has been celebrated since time immemorial. In its

ETAWAH (26° 47`N, 78° 58`E), a district town of Uttar Pradesh, 127 km southeast of Agra, has two Udasi Ashrams commemorating the visits of Guru Nanak and Baba Sri Chand. Sikh chronicles have not recorded these visits, but they do mention that Guru Tegh Bahadur while travelling to the

KHUSHAL SINGH, BHAI (1862-1945), holy man with mastery of Sikh music, was the son of Bhai Gurmukh Singh, a Jatt Sikh of Daudhar, a village 22 km southeast of Moga (30°48`N, 75°10`E), in Faridkot district of the Punjab. Blind from birth, Khushal Singh received instruction in

MULA KIR, a Khatri of Kir sub caste mentioned among Guru Nanak`s devoted Sikhs by Bhai Gurdas, Varan, XI. 13. As Mula one day appeared before the Guru to seek instruction, he was told to resort to the sabda, work honestly for his living and serve the Sikhs. He

NITNEM (nit: daily; nem; practice, rule or regimen) is the name given to the set prayers which every Sikh is commanded to say daily, alone or in company. These prayers or texts are five in number for early morning Guru Nanak`sJa/w and Guru Gobind Singh`s Jdpu and Savaiyye, for the

SODARU or SO DARU, lit. That Door, implying the entrance to the Lord`s presence, is a hymn by Guru Nanak figuring with slight orthographical variations, at three different places in the Guru Granth Sahib ; it forms part of the Japu (paun27), the morning prayer, and of the Rahrasi,

CHAUNKI or Chauki, lit. quarter, a four footed wooden platform upon which sat the holy choir to recite the sacred hymns in a gurdwara or at a gathering of the devotees. The term chaunki also refers to a session of kirtan or hymn singing, the number of singers at such