AKAL USTATI (In Praise of the Timeless Being) is a poetical composition by Guru Gobind Singh in the Dasam Granth. This is the only major composition in the Tenth Master\'s Book which is without a title. The title by which it is known is made up of its first

ARTI is a form of worship of an idol or deity in which candles or earthen lamps are waved as a token of devotion; sometimes during the Arti, incense.jossticks, pieces of sandalwood are burnt and flowers showered on the object of worship. When Guru Nanak went to Jagannath Temple

BHATT BANI, recorded under the title Savaiyye, is the name popularly given to the compositions of the Bhatts as included in the Guru Granth Sahib (pp. 13891409). Bhatts were bards or panegyrists who recited poetry lauding the grandeur of a ruler or the gallantry of a warrior. Bhatt was

BHOG: Literally: it means pleasure. In the Sikh context Bhog is the conclusion of the recitation of Guru Granth Sahib). It is followed by Ardaas and Vaak (or Hukam i.e. command of the Almighty). Finally, after the distribution of Karaah Parshaad, the \'ceremony\' of Bhog is over. The Sikhs

GANJ NAMAH (Treasure Book), by Bhai Nand Lal Goya, is a panegyric in Persian, partly verse and partly prose, in honour of the Ten Gurus. Bhai Nand Lal was a revered Sikh of the time of Guru Gobind Singh and a distinguished poet. The Ganj Namah renders homage to the

MALUK DAS was a long-lived Vaisnava saint who spanned the reigns of the Mughal emperors from Akbar to Aurangzib. He was widely venerated and counted among his admirers and followers, Muslims as well as Hindus. He lived at Kara, on the right bank of the River Ganga, in Allahabad

PAURIAN GURU GOBIND SINGH KIAN is a poetic composition in Punjabi, in praise of Guru Gobind Singh, with a brief description of the battle of Bharigani (1688). Pauri is the name given to each stanza of a vdr (ballad), paundn being the plural form. The text totally consists of