ASA, one of the thirty one ragas or musical measures into which compositions comprising the Sikh holy book, Guru Granth Sahib, except the Japu, are cast and in which they are meant to be recited and sung. This raga is important in the Sikh system of music, and is said

TRILOCHAN, one of the three Maharashtrian saint poets whose compositions are included in the Guru Granth Sahib, the other two being Namdev and Parmanand. Trilochan is said to have been born in AD 1267 of a Vaisya family. There is no unanimity among scholars regarding the place of his

ALANKAR,is the singing of notes (seams) in the melodic phrase of a raga. It can be done in different laya (tempo) which may be slow, medium or fast. A lankar literally means an ornament or decoration. It is the repetition of the musical notes of a raga in a

BANI BHAGATAN SATIX (satik = exegesis or commentary) by Pandit Tara Singh Narotam (q.v.) is an exposition of the bani or hymns of the bhaktas or saints (here the word implies contributors to the Guru Granth Sahib other than the Gurus). The work was, according to inner evidence, completed in

BENI, BHAGAT is one of the fifteen saints and sufis some of whose compositions have been incorporated in the Guru Granth Sahib. Very little is known about his personal life except that he spent most of his time in prayer and contemplation. Nabhaji`s Bhagatmal, which includes him in its

DHANNA, BHAGAT (b. 1415?), one of the medieval saints whose bani has been incorporated in the Guru Granth Sahib, describes himself in a hymn, in Raga Asa, as an ignorant Jatt and explains how he was attracted to the worship of God by the examples of Namdev (a calicoprinter),

KHUSHAL CHAND, RAJA, or Khushal Rai (d. 1752), an official under the Mughal emperor Muhammad Shah (1719-48) and a writer and poet of some merit, described himself as a NanakpanthI, i.e. a follower of Guru Nanak, his father Jivan Ram, and grandfather, Anand Ram Kayastha, had also served in the

SHABAD (SABAD) HAJARE, also called Hajare de Sabad, is a collection of seven hymns taken from the Guru Granth Sahib and grouped together for the purpose of daily recitation. The title Shabad Hajare occurs nowhere in the Guru Granth Sahib, though it has found its way into breviaries (gutkas)

SIR! RAGA KI VAR, by Guru Ram Das, is one of the twenty-two vars entered in (lie Guru Granth Sahib. It occurs in Sin raga from which it derives its title. This raga, known for its musical grace and delicacy, is sung both in winter (January/February) and in summer