Ham Hindu Nahin, by Bhai Kahn Singh, lit. "We, i.e. Sikhs, are not Hindus," is a clear-cut declaration of Sikh identity registered by a Sikh scholar and intellectual towards the close of the nineteenth century. The statement constitutes the basic dictum of the book which appeared under this challenging title
SIKLIGAR SIKHS constitute that section of lohars or ironsmiths who once specialized in the craft of making and polishing weapons. Sikligar is derived from Persian saqi, lit. polishing, furnishing, making bright (a sword), the term saqlgar meaning a polisher of swords. In medieval India, Sikligars were in great demand for
TEJA SINGH, PROFESSOR (1894-1958), teacher, scholar and translator of the Sikh sacred texts, was born Tej Ram on 2 June 1894 at the village of Adiala in Rawalpindi district, now in Pakistan. His father`s name was Bhalakar Singh. At the age of three, Tej Ram was sent to the village
KARMA, THE DOCTRINE OF, closely connected with the theory of rebirth and transmigration, is basic to the religious traditions of Indian origin such as Hinduism, Jainism, Buddhism and Sikhism. The term karam, as it is spelt in Punjabi and as it occurs in Sikh Scripture, the Guru Granth Sahib, has
VAIRAG, usually bairagor sometimes virag`in Punjabi, is derived from Sanskrit vairagya meaning "change or loss of colour, growing pale ; disgust, aversion, distaste for or loathing of ; freedom from all worldly desire, indifference to worldly objects or to life ; asceticism," or analysed as vi (prefix denoting disunion, separation,
AHANKAR (hankar as it is commonly pronounced in Punjabi) is a compound of Sanskrit aham (I) and kar (\'maker\') and means I-maker, i.e. what individuates the person as I. It stands for egotism, egoism, self conceit, self centredness, vanity or simply pride. Other synonyms used in the sacred texts of
AKAL MURATI, a composite term comprising akal (non temporal) and murati (image or form), occurring in the Mul Mantra, the root formula or fundamental creed of the Sikh faith as recorded at the beginning of the Japu, composition with which the Guru Granth Sahib opens, literally means `timeless image`. Elsewhere,
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