SATNAMI. The word satnami is derived from satnam, lit. the True Name , a term used in some religious traditions including Sikhism to denote the Supreme Being. Literally, a Satnami is one who believes in and worships only the True Being and as such every Sikh is a Satnami.

DHESI, BHAI, and Bhai Jodh, both Brahmans converted to Sikhism, once came to Guru Arjan and complained, "0 True King ! other Brahmans treat us as out castes, for they tell us that by taking a Khatri as a guru, by discarding Sanskrit, the language of the gods, and

SIDH GOSTI, i.e. dicourse or dialogue with the Siddhas or mystics adept in hatha yoga and possessing supernatural powers, is the title of one of Guru Nanak`s longer compositions recorded in the Guru Granth Sahib. A goshti (gostln) seeks to expound the respective doctrines of scholars or saints participating

DHARMARAJA (DHARAMRAI) Dharamrai (Dharmaraja) has been created by the Lord, therefore he does not come near a devotee and servant of the Lord. (Var Bihagra M. 4, p. 555) By the remembrance of the Name, all the troubles end and the papers of Dharamrai are torn. (Prabhati M. 5,

SORATHI KI VAR, or Ragu Sorathi Var Mahale Chauthe KI as is the full title recorded at the head of the text in the Guru Granth Sahib contrasting the short title in the index, is one of the eight vars composed by Guru Ram Das. It comprises twenty-nine pauns, i.e.

GAURI KI VAR, by Guru Ram Das, is one of his seven vars in a total of twenty-two in the Guru Granth Sahib. As the title indicates, the Vdr is cast in the Gauri musical measure a rdga commonly sung in the evening. In Sikh Scripture, Gaun is the

SUCHAJl (SUCHAJJI), literally, a woman of good manner and accomplishment, is the title of one of Guru Nanak`s compositions, in measure Suhi, in the Guru Granth Sahib. Antithetically, it follows another of his compositions called Kuchaji (literally, an awkward, illmannered woman). Suchaji (`sn`, meaning good or appropriate; `chaf meaning

GUJARI KI VAR MAHALA 3 is one of the four vdrs composed by Guru Amar Das structured in the form of a vdr or folk poem adapted to a spiritual theme. The Vdr, as the title indicates, falls in the Gujari musical measure, fifth of the thirty-one rdgas in

SATYUGA (SATJUG) In Satyuga the chariot is of contentment and charioteer of Dharma (Piety). (Var Asa, M. l, p. 470) In Satyuga everyone spoke Truth, in every home, there were enlightened persons absorbed in devotion. In Satyuga, the Dharma-bull stood on all its four feet, the enlightened person contemplates

GUJARI KI VAR, a composition in the form of folk balladry or a vdr, by Guru Arjan included in the Guru Granth Sahib under Gujari rdga, one of the thirty-one musical measures into which hymns in the Scripture are cast. The poem comprises twenty-one pauns or stanzas, with two

VAIRAG, usually bairagor sometimes virag`in Punjabi, is derived from Sanskrit vairagya meaning "change or loss of colour, growing pale ; disgust, aversion, distaste for or loathing of ; freedom from all worldly desire, indifference to worldly objects or to life ; asceticism," or analysed as vi (prefix denoting disunion, separation,

GUNVANTI, lit. a woman of becoming qualities, is the title of one of Guru Arjan`s compositions, in measure Suhi, in the Guru Granth Sahib (GG, 763). It follows Guru Nanak`s Kuchajl (lit. an awkward, illmannered woman) and Suchaji (lit. a woman of good manner). The term gunvanti is figuratively used