DAYA (usually spelt data in Punjabi), from Skt. Day meaning to sympathize with, to have pity on, stands for compassion, sympathy. It means `suffering in the suffering of all beings.` It is deeper and more positive in sentiment than sympathy. Daya, cognitively, observes alien pain; affectively, it gets touched

GUJARI KI VAR MAHALA 3 is one of the four vdrs composed by Guru Amar Das structured in the form of a vdr or folk poem adapted to a spiritual theme. The Vdr, as the title indicates, falls in the Gujari musical measure, fifth of the thirty-one rdgas in

GURMUKH (gur = Guru; mukh = face), a word employed in Sikh Scripture, the Guru Granth Sahib, in several distinct shades of signification. The gurmukh is, for instance, the Primordial Guru (God) who created all forms; it is He, too, who strings them into one thread oan gurmukhi kio

Guru Nanak (1469-1539) represents the highest point of Punjabi literature, it has reached so far. Not because he is the first preceptor of the; religion of the Sikhs who are to this day staunch champions of Punjabi literature, the excellence in its own right, though it is available to us

JAPU, with the Punjabi complimentary ji commonly suffixed to it as ah honorific, is the opening composition of Sikh Scripture, the Guru Granth Sahib. At the head of the table of contents of the volume, this composition is recorded as Japu Nisdnu, meaning the `flag composition Japu` or, according

MUL MANTRA. This is the title commonly given to the opening lines of the Guru Granth Sahib, Sikh scripture, or to these lines when they or a portion of them are repeated at the beginning of each new raga section as contained in the Holy text. This is the primary

MULA was, according to a tradition recorded by Bhai Santokh Singh, Sn Gur Ndnak Prakash, a resident of Sialkot who became a devotee of Guru Nanak. As Guru Nanak once visited the city, he sent Mardana to purchase one pice worth of truth and one pice worth of falsehood.

NAM (lit. name), a collection of sounds possessing the capacity to signify a person, place, thing or idea, is a key term in Sikh theology, embodying a concept of central importance. It subsumes within it the revelation of God`s being, the only fit object of contemplation for the individual,

SATI or sachch, Punjabi form of the Sanskrit satya or sat, lit. truth, in the philosophical sense is essential and ultimate reality as against inessential or partial truth. Rooted in Sanskrit as meaning "to be, live, exist, be present, to abide, dwell, stay", satya means " true, real, pure," as

SVAPAN NATAK, lit. dream play, is an allegorical poem in Braj, comprising 133 stanzas, by Giani Ditt Singh, a leading figure in the Lahore Singh Sabha. Published in the supplement to the issue, dated 16 April 1887, of the Khalsa Akhbar, a Punjabi newspaper of which Giani Ditt Singh himself

SATYUGA (SATJUG) In Satyuga the chariot is of contentment and charioteer of Dharma (Piety). (Var Asa, M. l, p. 470) In Satyuga everyone spoke Truth, in every home, there were enlightened persons absorbed in devotion. In Satyuga, the Dharma-bull stood on all its four feet, the enlightened person contemplates