SUKHANFAKIRANKE, an eighteenth century work in Punjabi prose attributed to Bhai Addan Shah, a Sevapanthi saint. Two manuscript copies of it are known to existone (MS.No. 2196) in the Central Public Library, Patiala, and the other (MS. No. 11560) in the Pahjab University, Chandigarh. The latter has since been included

BRAHMADIKA - The Hindu Triad Brahma etc. and Sanaka etc. want to meet the Lord and also the Yogis, celibates and adepts. (Gauri Bairagan M. 5, p. 203) Brahma, Vishnu and Shiva contemplate about the Lord, but they are bound by three modes and are far from salvation. (Mani

GURUSHABAD RATANAKAR MAHAN KOSH, more popularly known by its shorter title Mahan Kosh, the great dictionary, by the celebrated man of letters and lexicographer, Bhai Kahn Singh, of Nabha, is a work unexcelled for its neatness and refinement of expression and monumental in its scope and size. It would indeed

MANI SINGH JANAM SAKHI, also known as CYAN RATNAVALI and traditionally attributed to Bhai Mani Singh, a famous Sikh of the early eighteenth century martyred by the Mughal governor of Lahore, Zakariya Khan, in 1737, is a collection of 225 anecdotes related to the life of Guru Nanak and some

RANI RAJINDRAMATI CHARITRA by Sahib Singh Mrigind is a versified account (charitra = character; portrayal) in Braj (Gurmukhi characters) of Queen (rdm== queen) Jindan, the wife of Maharaja Ranjit Singh, here referred to as Rajindramati. Sahib Singh Mrigind (c. 1800-1876) who later became the court poet in the princely state

SUKHMAM SAHANSARNAMA (PARAMARAIH), by Sodhi Hariji, is a commentary in prose on Sukhmani Sahansarnama, a poetic composition by his father, Sodhi Miharban, containing 30 astpadis or 8 stanza compositions in the style of Guru Arjan`s Sukhmani. The term `Paramarath` in the title denotes explanation or exposition to distinguish this

CHAND or CHANDA, a goldsmith by profession, was one of the poets and scholars who enjoyed the patronage of Guru Gobind Singh (See BAVANJA KAV!). He rendered "Udyoga Parva" of the Mahabharata into Hindi verse. His work is preserved as a part of a Mahabharata manuscript in the private

JAGGA, BHAI, a Khatrl of Dharni clan, was a devoted Sikh of the time of Guru Arigad. As he first waited upon the Guru, he said, "Show me the light, True Master. I have been to a yogi for guidance, but he would not instruct me until I renounce

NAM JAPANA, KIRAT KARNI, VAND CHHAKANA, i.e. ever to repeat God`s name, to be ready to engage in the labour of one`s hands and to be willing to share with others what one has gathered may be said to be the triple principle underlying Sikh ethics and way of

RATAN DAM by Tahkan, a translation and adaptation into Braj of Acharya Amar Singh`s Amar Kosh, the famous Sanskrit lexicon. Tahkan was one of the several poets who kept Guru Gobind Singh (1666-1708) company. In preparing Ratan Dam, the poet consulted works other than Amar Kosh as well. The manuscript

Sandhu, Gulzar Singh was born at Kotia Badia, district Ludhiana in 1933/5, his mother\'s native place. His family hails from the village of Soni in Hoshiarpur district. Both from the father\'s side and the mother\'s side, he draws upon a lineage of Jagirdars or fief-holders from the time of the

CHANDRA SAIN SAINAPATI, commonly referred to as Sainapati and counted among the "fifty-two poets" of Guru Gobind Singh (1666-1708), was the son of Bal Chand, an educated Man Jatt of Lahore. His original name was Chandra Sain, Sainapati being the pseudonym he had taken. Chandra Sain, taught by one